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This Pennsylvania “Forest Retreat” Turns Design on its Head

An upside-down floorplan is just one highlight of this nature-focused family home.

Sometimes landscape-responsive architecture affects designs in subtle ways. An entranceway built into a hill here, a cantilevered porch and sliding doors to maximize views there. But in the case of the “Forest Retreat,” nestled in the hills and rolling farmland of northeast Pennsylvania, the influence of the lot and land had a more profound impact for homeowners Bill and Jenn, as well as their architect, Gabe Hodge. It completely flipped the traditional floor plan.

“Our house, it's unique because it's upside down,” Jenn said. “Our bedrooms are on the first floor and our main living area and our kitchen is on the second floor.”

The reason for this shift-and-flip was informed by a unique, historic element: a more than century old, but long abandoned, railroad bed that cuts through one side of the lot. This feature that at one point saw locally harvested ice and freshly cut timber transported by train through the area, now created a returned-to-nature buffer that made the perfect privacy berm for the home.

Hodge, an architect with Materia Prima Studio, sited the home fast along the railroad bed and placed the bedrooms on the first floor, creating calm, quiet, sleeping quarters.

But then for the second floor, he designed a large, open, vaulted space, with walls separating the specific rooms, but in some cases, leaving walls short of the ceiling. The effect is almost reminiscent of a Scandinavian longhouse in its scope and size, or a wooden ship at sea, with warm wood, multiple beams, and natural views (oh, the forest views!) everywhere.

Framing those views in the main living space? Oversized Marvin Ultimate direct glaze units with Douglas Fir trim, perfectly tying into the all-timber-all-the-time experience of the second floor.

“They’re bigger than any window I've ever been exposed to,” Bill said, “and I think they're perfect for this house.”

For more on the upside-down Forest Retreat, including its family farm roots, its stunning green roof, its feeling of growing out of the woods, and why Hodge wanted the windows to seem like “the absence of wall,” check out this case study video.

Featured Products

Ultimate Casement Window

Ultimate Sliding French Door

Ultimate Direct Glaze Window

Ultimate French Casement Window

Ultimate Swinging French Door


Project Team

Design: Materia Prima Studio

Builder: Dakan Enterprises

Dealer: Mariotti Building Products


Case Study Video

Case Study Video Transcript

Gabe Hodge, Architect, Materia Prima Studio: I wouldn't practice architecture the way I did unless I listened very closely and intently to two things: And that is the client and what their dreams are for their house. And the second is, what is the landscape telling you?



Bill, Homeowner: So, we're on the edge of the Endless Mountains in Northeast Pennsylvania. There's a lot of farming activity, a lot of timbering activity. There's a beautiful natural lake nearby. Our home here joins our family property, and the property's been in my family since the 1920s. I actually grew up here. So, there's a part of this overall area and property that's just very near and dear to us.



Jenn, Homeowner: When it became available, it was just a great opportunity that we didn't want to lose. 

Bill: We actually interviewed several architects, but I will tell you that the day that we walked onto the site with Gabe, his vision in the first five minutes of walking through the property was essentially what this house became, and it was just like it was meant to be.

Hodge: We chatted while we walked through about what their goals and thoughts would be for the house.

Bill: I really wanted a house that felt like it had always been here, and I wanted a house that felt like it was part of the natural landscape.

Hodge: When we first walked this property and had this idea of the house growing out of the hill and then peeking above the railroad bed to the farm, one of the first things that I described to them is, where's the sun and the views and what part of the day am I in when I want to appreciate those things? And it's the daytime. 

Jenn: In our house, it's unique because it's upside down, and our bedrooms are on the first floor, and our main living area and our kitchen is on the second floor. 



Bill: It's really nice because the bedrooms sitting down on that first level are very quiet, very private, very secluded. But then, as you come into the main living area of the house, you open up all the daylight, all the views of nature, and it's really the perfect design for this site. 

Hodge: The earliest conceptual goals that Bill and Jenn had for their home was one that was very closely tied to nature and the landscape.

Jenn: We decided upon a green roof with Gabe to break up what would essentially have been a deck. And so instead of looking out onto a large deck, we look out onto this green roof.

Hodge: Through the big windows, you'll see the carpet of green of the roof in the foreground, which tends to blend with the railroad bed landscape in the middle ground, then through the trees at the brightly lit rolling hills of the family farm in the distance.    

When we were getting into a little bit more detail on how the house would be crafted and the materials that would be used, and what you would see of the landscape from within each space, we really looked hard at the size and shape, and operability of the windows.

Bill: One of the thoughts that we worked through with Gabe was that we wanted to feel like when we were inside the home, we wanted to feel like we were outside. We trusted Gabe to size the windows. They're bigger than any window I've ever been exposed to, and I think they're perfect for this house.

Hodge: We wanted the windows to feel more like an absence of wall or simply a bringing the outside in rather than framing something. The windows afford you that connection.

Kenny Shino, Builder, Dakan Enterprises: The Marvin windows are a great product for homes like this. They also are good for narrow mull lines, which a lot of architects love, homeowners love, so you get more of the view out through the window.

With something like this home, we're looking for a particular type of wood finish on the inside. Marvin offered several different species of wood. We went with the Fir product here, and it worked great. 

Bill: It was very important for us to have the Douglas Fir continue around the windows, which is part of why we ended up with Marvin doing the custom windows, so that Douglas Fir trim really tied in with the rest of the woods in the house. 

I was impressed by our ability to truly customize our windows. This house is so unique, so that customization really offered us the opportunity to have exactly what we wanted.”

Jenn

Homeowner

Hodge: From the beginning, the house really wanted to be a house in the forest, a house that occupied the treetops in a way, and connected to the landscape in as close a way as possible.

Jenn: Gabe understood us immediately. He heard who we were, and he heard our vision, and the project just took off from that moment. 

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Support + Resources
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Find a DealerInternational DealersReplacement Solutions
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